Just as a modern person forms an identity from the relentless stream of impressions showered upon us by the ubiquitous media, my work is the body—a cosmos, micro and macro, in which everything is pregnant with meaning and in which discarded and found objects from the petrochemical cornucopia acquire a new, timeless imagination.
It all comes together in torsos of cast epoxy: a contemporary form for a Venus statue, vulnerable and unapproachable, influenced by everything and entirely itself.